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How The Watch Industry Trends Have Shifted In The Past 25 Years?

Ghulam Gows
3 Oct 2025 |
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The modern watch marketplace is an ecosystem pulsating with rapidly evolving consumer preferences and expectations. This metamorphosis of today’s “culture of collecting” isn’t a derivative of some random shifts, but emanates from a very complex interplay of factors. Drawing from industry insights and easily perceptible states of market evolution, we can identify the trends, and also understand what or who set them, to gain a better perspective into the cadence of watch industry’s trend cycles over the past quarter-century.

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A Rolex Ref. 6200 Submariner ‘Big Crown’ with "Explorer" dial, Source - Phillips.

The brands, genres, and collecting vibes that have been a hit over the past 25 years will be discussed.

Collectability As A Measure Of Fiscal Capital

The idea of collecting with a future mindset is somewhat of a novelty. Never has the impetus as well as the incentive of “investment” been as strong as it has been for the past ten years. Forecasting market favorability, say ten years down the line, is what now matters to most and the greed to gain let’s say 2x over the years is stronger than a genuine appreciation of the piece.

I call investing in watches a novelty for it’s something that isn’t traditionally associated with watch enthusiasm. Collecting purely from a monetary standpoint is the result of an unwanted innovation, legendarily considered a dirty play in the space. Also, not every watch has a proven track record of “investability.” Even the best ones have a cyclical favourability in regards to returns, and calculating where the peaks and the troughs in value exist can be an unnecessary overburden of the experience. This speculative mindset, while catalyzing market activity, often eclipses the original ecstasy of discovery and individuality that once thrived in the hobby.

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The 'value appreciation' of certain watches can make investment in timepieces tempting, Source - Everywatch.

As an undeniable trend of the past decade, the thrill of buying something that you actually like and appreciate has been subdued in contrast to the hype-centric collectability of certain examples that have really outperformed in the secondary space. Surely, tempt has overpowered true passion.

Despite being a tangible asset, the value attached to a watch isn’t going to be eternal, but the experience of owning one sure can be. So, enjoy a watch while you own it!

Digital Impact And The Social Capital

If you believe that now everybody wants the same four or five watches, blame social media for it. As a perceptible evolution of the past quarter-century, the culture of collectability has significantly shifted from the existing hyped brands and watches to haute horlogerie brands like A. Lange & Söhne or F.P. Journe, and a few particular pieces such as the Ulysse Nardin Freak of 2001 or even the Hublot Big Bang of 2005. A decade ago, buying for Instagram emerged as a dominant trend and the gauge of a watch’s social legitimacy relied solely on its scope of “Instagrammability.”

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The very collectible F.P. Journe Chronomètre Bleu.

One detriment of social media integration with watch collecting psych has been the unfavorable genesis of “hype contamination” and the inevitable “standardization of likes.” What social media, particularly Instagram, did in its inceptive-watch market inclusion is force the audiences to like a certain watch or a type of a watch. This was the byproduct of over-saturated focus on a few pieces which consequently resulted in homogenization of tastes. Social media’s over-exposure of certain watches led to standardization of preferences.

When appreciation and exposure is limited to a small corner of the watchmaking yield, tastes become narrower. With hashtags and algorithms repeatedly bombarding your screens with steel sports watches, a sense of high desirability and even higher demands gets attributed to such products. This is how social media created hype around watch models and consequently restricted the field of interest.

So, can social media be blamed for long waitlists? Well, maybe!

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The DeBethune DBD Evergreen, Ref: DBDRE.

As a trend in contrast with this repetitive and passive-aggressive promotion of certain examples, the affinity towards micro-brands and independents, particularly beginning around 2015 and still scaling at pace, has been a desirable aside to the once omnipresent restriction of choice. Now brands like De Bethune, Otsuka Lotec, MB&F, Christopher Ward, Krayon, and Konstantin Chaykin garner significant repute and demand amongst collectors.

Scaling In Dimension And Calling For Color

The evolution of watch trends extends beyond collecting habits and into the physical design of the timepieces themselves. Size, in particular, has been a fluctuating trend over the last 25 years. Currently, perfectly proportioned watch cases have overcome the once-hot trend of massive dimensions that characterized the years from 2000 to 2009.

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The Zenith Pilot Type 20 Extra Special Blue (45mm) and the Panerai Luminor Quaranta PAM01372 (40mm).

Case size might be the most telling metric for how aesthetics, practicality, and even social context shift over years. In the early years of this century, “bigger was better.” Brands like Panerai became legendary for their oversized cases, with special editions even reaching a hefty 60 millimeters. Noticeably, pilot’s watches from IWC and Zenith followed suit, creating “statement pieces” that reflected the era’s appetite for extravagance.

Today, though, perfect proportions trump maximalism, with collectors and brands gravitating toward smaller, more wearable sizes. Even Panerai - which once fueled the big-watch craze, has responded by sizing down some of its new collections.

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Some popular dial colors in watch collecting.

In regards to the industry’s chromatic evolution, brands have been really inventive and bold. From the initial craze of blue to the now dear affinity for purple, green, pink and the holy turquoise, modern watchmakers have experimented with virtually the entire color palette. When talking of case materials and colors, two-tone surgency has been a by-product of a very high demand for steel or all-gold cases with the material and tonal amalgam being the only thing available at rapid retail.

Interchangeability For Comfort And Practicality

The quick release bracelet system and the interchangeable rubber strap is an inevitable by-product of watch collectors desiring comfort. Brands like Cartier, Vacheron Constantin, Tudor and Hublot command the reigns with their ingenious on-the-fly quick-change strap systems offering a user-friendly way to change straps on your watch without relying on the fiddly spring bar.

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Quick release strap systems on Cartier and Vacheron Constantin.

The trend of easy strap interchangeability favors versatility and adaptability, and marks something that has to be an industry standard at some point, although only for a specific genre of a watch.

What And Who Sets The Trends And What’s The Future?

A perennial debate in the industry centers on who dictates the next wave - brands or collectors? Sometimes, the watch houses set the agenda, as with the green dial explosion. At times, influential collectors, or even independent brands help steer tastes. The rise of independent artisanal brands is evidently signaling the next big cycle of trends in the watch industry.

As the cycle of trends continue to shift, the underlying cadence is clear: individuality is regaining value, even as market and social forces still drive collective hysteria at times. Bespoke experiences, innovative materials, and collector-driven brands point towards a future where rarity is defined less by hype and more by genuine uniqueness and craft. The days of mass-producing “hot” watches for speculative buyers may be yielding, at least partly, to a renewed appreciation for substance, story, and the joy of wearing what feels most personal.